I am now reading Linda Gertner Zatlin’s excellent Beardsley Japonisme and the perversion of the Victorian ideal ; in her study of fin de siecle subversiveness she references William Etty. William Etty’s historical and allegorical paintings were frequently criticized by his contemporaries as being mere excuses to portray fleshy pulchritude. As Zatlin states his paintings “broke the code of acceptable public decorum”, the beauty he portrayed flagrantly crossed that cultural line violating the unspoken yet understood decree that art be free of open sexuality.
Although best known for his glorious female figures, I rather predictably will focus on the male nude.
I appreciate the indulgence.
Reclining male nude, raised right knee
1815-1845
oil on millboard
With this study as an example it is clear wht Zatlin states that Victorians were far more comfortable with the subtle eroticism of Millais’s Mariana (1851).
John Everett Millais
Mariana
1851
oil on board
Tate
Mariana’s languor though apparent is respectable, Etty was not inclined to that sort of respectability, thank goodness.
William Etty, R.A.
Sleeping Nymph and Satyrs
1828
oil on canvas
Etty was masterful at depicting the nude and wisely ignored the demand that he “turn from his wicked ways” and create paintings “fit for decent company”.
I must be quite indecent and quite wicked for I love William Etty and his flamboyantly sensual paintings.
Male nude, arms upstretched
1815-1820
oil on paper on board
Royal Academy
Hero, Having Thrown herself from the Tower at the Sight of Leander Drowned, dies on his Body
exhibited 1829
For those of you in the U.K. what appears to be a marvelous exhibition William Etty: Art and Controversy will open June 25th (closing January 12th 2012) at the York Art Gallery. I hope you can catch it, I plan to pre-order the catalog.
William Etty, R.A.
b. 10 March 1787
d. 13 November 1849
monument to Etty, erected 1911, in front of the York Art Gallery
Study of a peacock for ‘The Judgement of Paris’
1826
oil on board
Wishing all a good weekend,
Babylon Baroque