Archive for the Commedia dell’arte Category

Caruso, the one , the only Canio

Posted in 20th century, Boardwalk Empire, Commedia dell'arte, Enrico Caruso, Opera, Pagliacci/Canio on September 26, 2010 by babylonbaroque

In anticipation of this evening’s episode of HBO’s “Boardwalk Empire”, I am prompted to post about dear Enrico Caruso.

In one of many beautiful scenes, we find an Italian mobster in a pool of blood as Caruso crackles on the gramophone. Prior, we had the chance to see one of my favorite images of Caruso, framed as if he were a saint. The mobster so loved Caruso;it was fitting he met his end in the thrall of his voice.

Image similar to what was featured on “Boardwalk Empire”

Caruso as Canio, ca. 1905

Such attention to detail drew me in, but the NY Times , thought otherwise. Alessandra Stanley felt that “sometimes exactitude verges on pedanticism”. I’ve been known to be pedantic.

I’m pleased with the details, I relish the little flourishes. As any good Italian boy from New Jersey knows, Caruso was God. My Italian grandfather, a man with  very little cultural sophistication, adored Caruso. I present this little collection in his honor.

as Canio, ca. 1904

The following clip has wonderful images of Caruso in action.

Caruso’s “Una Furtiva Lagrima”,(Donizetti’s “L’elisir d’amore”, a furtive tear) ca. 1904, always a crowd pleaser. It has been digitally remastered , something my Grandpop Greco would have enjoyed;the purists, probably not so much.

As any  Italian American knows, “Ave Maria”, is a perfect blend of art and devotion; this rendition ca. 1913-15.

Enjoy tonight’s episode.

Advertisements

The Punch & Judy Show, the original Slapstick

Posted in Bruce Nauman, Commedia dell'arte, Punch & judy, puppets on August 16, 2010 by babylonbaroque

As it is a lovely day here in the City of Angels, a day of good cheer and optimism; I thought Punch and Judy with its domestic violence,  unbridled brutality, corrupt law enforcement, rampaging reptiles, and Satan himself, a perfect topic.

I also happen to be at work on a painting of Mr.Punch, sans Judy;I should say I am currently avoiding that work as I am at work on this blog ABOUT Mr. Punch.

I was reminded of my interest in Punch by my last post on the   Incroyables ( see side bar); these Bright Young things minced about with a large bludgeon-like staff which they referred to as their “Executive Power”. Punch , another silly man with a big stick, seemed a natural progression.

Punch, derivative of the commedia dell’arte character Polchinello has always been a personal favorite.

Making his first appearance around 1662, he was wildly popular in London and Paris, he and Judy did cross the great ocean, gaining  popularity in the Colony, George Washington is known to have laughed at his antics.

Punch and company  initially were enacted on stage by marionettes, economics seems to have factored into the use of hand puppets. With light weight portable theatre and ingenious puppets, it was possible for one puppeteer to act as an itinerant troupe, perhaps a shill in the audience collecting appreciative change. From seaside attraction to seaside attraction, they entertained a vast array of folks.

It is a bit shocking to think that this shrill little hunchbacked fellow, beating on his wife, tossing Baby out the window, outwitting the police , even cavorting with Satan; was/is considered appropriate fare for wee ones. But of course he wasn’t the last fellow of dubious character to gain wild youthful popularity; the vicious antics of the Three Stooges, the stupidity of Homer Simpson, the cruelty of RoadRunner and Wily E Coyote of course come to mind.

By Victoria’s time, some of his antics were notched down a bit, precisely to address this issue; part of  her agenda for wholesomeness and family values perhaps.

A wonderful cartoon by the always wonderful George Cruikshank (1792-1878)

Of course the beatings still continued, domestic violence is always so amusing apparently.

Judy beats Punch

Judy goes down.

“That’s the way to do it!”

Punch triumphant.

Punch en famille.

Love springs eternal, always ready for another round.

Of course no discussion of Punch is complete without a mention of the wonderful magazine Punch. The cartoons have long been an inspiration to me, the dark wit, the attention to detail, the serious treatment of satire.

Punch and his crazy-assed antics inspire today, as this little video clip creepily illustrates; shades of Tim Burton.

“That’s the way to do it!”

The talented dollmakers David Chapman and Paul Robbins have done wonders with the theme.

Really quite marvelous.

Their work captures the spirit of this vintage ensemble.

Even contemporary artists such as Bruce Nauman have explored the theme.

Punch & Judy II, Birth & Life & Sex & Death

Bruce Nauman

1985

tempera and graphite on paper

MOMA

In my modest way, I will attempt to continue the tradition.

Yours truly at work.

Have a great day.

Post Script

At the suggestion of the ever fabulous Chateau Thombeau , I include this clip from the Stranglers, “Punch & Judy”. I must confess i am unfamiliar with the Stranglers, but the clip includes a bare chested young fellow and is of course thematic. Thank you Chateau Thoimbeau.

The Stranglers, Punch and Judy

Have a great evening.