Archive for the Salome Category

Salome cast in Greenery-Yallery

Posted in 19th Century, 20th century, Aesthetic Movement, Aubrey Beardsley, Oscar Wilde, Salome, Uncategorized on February 15, 2012 by babylonbaroque

We recently had the good fortune of catching the final performance of the San Diego Opera’s production of Salome. As I really am only familiar with our dear minx by way of Oscar and Aubrey I wasn’t sure what to expect.

source

I was delighted, most particularly with the lead soprano Lise Lindstrom, she gave a marvelous performance. As is so often the case I was drawn to the sets and costumes, in particular her gown in the final scene. It was, I declared with great bombast the perfect yallerish, Oscar would have adored the color. Unfortunately yallerish is incorrect, a quick Google search for the word provided only my own blog as the source, I have made MANY references to the word, all of them incorrect. I feel a bit of a fool.

The correct word to describe this Aesthetic Movement staple is Greenery-Yallery. First termed it appears by the witty duo Gilbert and Sullivan for their production of Patience in which they mercilessly lampoon lily- wristed blue-and-white china lovin’ aesthetes with utter abandon. 

“A pallid and thin young man

A haggard and lank young man

A Greenery-yallery Grosvener Gallery

Foot-in-the -grave young man!”

This 1882 greeting card illustrates the sort of fellow perfectly.

Source V&A

Wilde did of course make ample use of the color yellow, there is his poem Symphony in Yellow.

The drawing room at Tite Street was described as having dazzled in “greenery-yallery” effect 1909 source 

And of course there was that notorious yellow book found on Wilde’s person at the time of his arrest; alas it was not THE Yellow Book so loved by the “foot-in-the-grave” set.

Yellow Book, volume 3, October 1894

My only real disappointment in the San Diego production was the executioner of Blessed Jachanaan. In my fantasy he would appear as that bit of stellar beef ( Duncan Meadows) from the Royal Opera House production .

Unfortunately he was a rather chunky fellow with bad posture, quite a let-down.

Duncan Meadows, Royal Opera House production of "Salome"

 source : Feuillton

For a snippet of the final scene with the minor deity( and his mighty sword) check out this clip

The Duncan Meadows “lead” so to speak was from my friend the artist Clive Hicks-Jenkins.Clive not only is a most impressive artist,but a blogging wiz, he kindly walked me through the compexities of WordPress.

Although I have been blogging for quite some time, I must have become rusty ( or WordPress has become more persnickety).

I thank you friend, a fresh day and a constant  visit to “save draft” seems to be the trick.

Knowing that once again I may post freely is a tremendous relief. I am now posting far less frequently than I have in the past. I hope my readers understand that my life is now often spent in my Hermitage ( my pretentious little studio); posting is becoming less and less a priority, but when the spirit and time allows I will indeed be back.

I am touched at the swelling number of followers, perhaps I ought to give it all up for good if the number of “hits” is any indication of activity when I am so very fallow.

Wishing all a “utterly charming” day!

Take care,

Babylon Baroque