Archive for the Sculpture Category

Sarah Bernhardt, Dark Spirit

Posted in 19th cent., Memento Mori, Recquiscat in Pace, Sarah Bernhardt, Sculpture, Silent Film on October 27, 2010 by babylonbaroque

As October closes and I have less and less excuses to indulge my darker tastes, I thought it wise to end with Sarah.

Sarah had the great charm of not only being a lively sprite, indulging fully in what life presented to her; she also seemed to take great pleasure in darker delights.

Many may be familiar with her magnificent inkstand, fashioned in her likeness; a sphinx eager to devour the hearts of men, bearing upon her shoulder emblems of her craft, Tragedy & Comedy.

Inkwell

Self portrait as Sphinx

ca. 1880

artist: Sarah Bernhardt

1844-1923

bronze

Museum of Fine Arts, Boston

Not only gifted on stage but  the studio as well, gotta love the gal.

That ostrich plume will just drive you mad.

As a boy I encountered this image of Sarah in her coffin. any devotee of the Divine One knows the image, but I never tire of it. Evidently neither did her public, it was wildly popular.

by Milandru

Sarah Bernhardt posing in her coffin

ca. 1880

albumen print cabinet card

Bibliothèque Nationale de France

I love the inclusion of her portrait bust , she is the artist of course.

Portrait Bust

ca. 1878 Sarah Bernhardt

Museé d’ Orsay

Paris

As an actress she of course excelled at Tragedy, here she is as the great Elizabeth encountering Essex, having had ordered his execution. You don’t get more dramatic then this, her hand wailing- I can totally relate …

ca. 1899

Sadly all the play acting came to an end, we only have bits of brittle film to remember her by.

At least she is eternal neighbors with Oscar.

And with that,

Babylon Baroque

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Exoticism @ the Centennial Exhibition, part II

Posted in 19th cent., architecture, Centennial Exhibition, Egyptomania, Japonism, Philadelphia, Sculpture on August 5, 2010 by babylonbaroque

As we were determined to celebrate our Centennial on a grand scale and   establish our national legitimacy, the Centennial Exhibition offered Americans the opportunity to ogle exotic markets and peoples.

I am always a sucker for Continental allegory, it  enchants me.

The Exotic clearly enchanted our 19th century forefathers.

Each participating nation was granted an opportunity to participate and show off it’s national glory.

And show off they did.

One can never have enough Egypto-mania, the Egyptian Hall was of course a smash.

magic awaits

fabulous goods

what more do you need?

difficult to see, but that’s a stuffed crocodile between tusks, exotic enough for you?

Cleopatra

by Enrico Braga

from the Masterpieces of the Centennial International Exhibition Illustrated, Vol. I

1876-88

edited by Edward Strahan

The entrance to Agricultural Hall was a Moorish fantasy come to life.

a promenade worthy of a Sultaness.

Of course nothing speaks of the Exotic like Japonism, the Japanese were happy to oblige.

from the Gems of the Centennial Exhibition, my own pitiful scan, please pardon.

Mammoth Japanese Bronze Vase

What every Robber Baron needs for the Entrance Hall.

Let us not forget Exoticism in our own land. The freed slaves obviously provided picturesque artistic inspiration.

Freed Slave by Francesco Pezzicar

shown in the Art Gallery, better known today as Memorial Hall.

Perhaps women were considered equally exotic as they merited their own hall, the Women’s Building.

Never pass up the chance to oogle naked lady bits is what I say.

Although much of the Art  appears to have been  exhibited in the Memorial Hall.

Memorial Hall

architect H.J. Schwarzman

H.J. Schwarzman

Chief Planner of the Exhibition

This was no easy task,held in 1876, from May through November; close to ten million visitors passed through it’s gates. 30,000 exhibitors from 51 countries, enticed, enlightened and befuddled the throngs.

Main Exhibition Building

Over 50 acres of exhibition space, the Great Exhibition of 1851 was a little over 20 acres.

Once again we felt the need to over compensate.

Horticultural Hall

Interior of Agricultural Hall

same as Horticultural Hall???

Our individual States erected pavilions.

Was this before California became it’s own State?, I cannot remember.

My own home state had a much more magnificent building in which to boast.

From my reading of the “Gems”, New Jersey was the first to sign on to the Exhibition, some southern states soon followed. Perhaps Carpet Baggers eager to please the North.

How charming, how so NOT Jersey Shore.


I have never been to Memorial Hall, I only know it as a floating Xanadu above Fairmont Park.

My sister assures me things have changed, lets just hope they haven’t scrubbed away the romance.

A bit of ephemera.

Crystal Palace Park Ruins

Posted in 19th cent., Crystal Palace, Sculpture on May 15, 2010 by babylonbaroque

Degraded beauty always haunts.

I have a recurring dream, it  is a wonderland of fragmented sculpture, ready for me to lug home.  The following illustrates that dream.

apparently after long neglect, the ruined Park sculpture was gathered into storage, sometime in the 70’s. I love the contrast of the chain link with fair Andromeda, she just can’t shake her shackles.

Undated, sometime after the fire.

Undated, sometime before the fire. It’s prettier all weed filled.

Venus in vines.