As we were determined to celebrate our Centennial on a grand scale and establish our national legitimacy, the Centennial Exhibition offered Americans the opportunity to ogle exotic markets and peoples.
The Exotic clearly enchanted our 19th century forefathers.
Each participating nation was granted an opportunity to participate and show off it’s national glory.
And show off they did.
One can never have enough Egypto-mania, the Egyptian Hall was of course a smash.
by Enrico Braga
from the Masterpieces of the Centennial International Exhibition Illustrated, Vol. I
edited by Edward Strahan
The entrance to Agricultural Hall was a Moorish fantasy come to life.
Of course nothing speaks of the Exotic like Japonism, the Japanese were happy to oblige.
What every Robber Baron needs for the Entrance Hall.
Let us not forget Exoticism in our own land. The freed slaves obviously provided picturesque artistic inspiration.
shown in the Art Gallery, better known today as Memorial Hall.
Perhaps women were considered equally exotic as they merited their own hall, the Women’s Building.
Although much of the Art appears to have been exhibited in the Memorial Hall.
architect H.J. Schwarzman
Chief Planner of the Exhibition
This was no easy task,held in 1876, from May through November; close to ten million visitors passed through it’s gates. 30,000 exhibitors from 51 countries, enticed, enlightened and befuddled the throngs.
Over 50 acres of exhibition space, the Great Exhibition of 1851 was a little over 20 acres.
Once again we felt the need to over compensate.
same as Horticultural Hall???
Our individual States erected pavilions.
My own home state had a much more magnificent building in which to boast.
From my reading of the “Gems”, New Jersey was the first to sign on to the Exhibition, some southern states soon followed. Perhaps Carpet Baggers eager to please the North.
I have never been to Memorial Hall, I only know it as a floating Xanadu above Fairmont Park.